When fashion was the great diva of the Teatro Colón

Los designs with volume, pleats, drapes and openwork vinyls, in natural silks, chiffon and brocades, They once again demonstrate the passion that Fabian Zitta feel for architecture and geometry. Her interest is so strong that she even took models and work projects from the Sanaa architecture studio in Tokyo to create a line of alpaca jewelry, made by goldsmiths, combined with leather, which she integrates into the necklines and waists of her designs. . There were strapless dresses in patent leather, with a long chiffon skirt and maxi pleated tutu, to silk chiffon dresses with a draped neckline and bell skirt, for example.

In total, it presented 35 models and a shoe capsule created in conjunction with the Claude Benard brand. Inspired by Japanese aesthetics, he called his collection Yugena term that suggests a subtle and mysterious beauty as demonstrated by her passethe.

Black was the star color of the winter collection that the Corrientes designer showed at the opening of SACBuenos Aires Haute Couture Week. With a vision of the future, Javier Saiach focused on the international fashion circuit season and showcased 40 designs made entirely by hand.

There was no shortage of skins or transparencies. They paraded through the Teatro Colón from tulle layers to corsets, lingerie looks, lace and dresses with raffia embroidery, silk threads and stones, with high boots and gloves as accessories.

The palette played with gold, green, butter tones, copper and pinks. Bronze was fused with black, the undisputed protagonist of Obsidian, the dark volcanic stone, with a glassy and shiny appearance, which served as the title for his collection.

He was the Spanish designer invited to close the fashion week at the Salón Dorado del Colón. Founder of the Redondo Brand brand, he held a retrospective of his career with 50 haute couture dresses, from different collections and ready-to-wear lines, which reflected his Spanish roots and the eclectic approach of his brand.

With Hollywood majesty and high-impact dresses, her Volver collection was followed by Mirtha Legrand and Graciela Borgesamong other special guests, from the front row.

After 10 years at the head of the creative direction of Sylvie Burstin, the designers Emm&Val arrived in Colón, by the hand of Elina Costantini.

For their Picardía collection they included 40 designs that represent the evolution of the brand. Each piece told a story. They created everything from haute couture models from an urban genre such as denim, intervened with silk threads, to mini and long dresses with languid lines with guipure and printed organza and hand-dyed fabrics in their atelier.

There were also transparencies in metallic and pastel tones, silks laminated to the wind and designs in stronger tones of New Look line, midi length.