Creative seeds sprout from Córdoba

As usual, Foa House It is usually one Platform for emerging generation. With fresh ideas and a lot of expectation, representatives of five spaces tell their experience. Most made their debut in the third edition of Cordoba.

Awarded cafeteria

Effervescence and daring of The Charly de Güemes (Gastón Balangero) and Lucas Ramacciotti They did not go unnoticed. The Cafeteria that they designed in the Space No. 31 He took the “To the new talent” award.

Architects and former co -workers, have great enthusiasm in their “first note to the press” that were encouraged to participate by suggestion of a supplier. “While we dedicated ourselves to gastronomic spaces, we planned to start with something smaller. Last year we came to see the exhibition and we asked ourselves what would feel to be on the other side,” they sincere about the idea of ​​being part of an event that seemed exclusive and distant.

Clubcita, the intimacy of the winning cafeteria.

The magnitude of the space intimidated them but the reality is that they know the cloth very well. They started years ago with Pablo Dellatorrespecialist architect in gastronomic premises, whom they remembered more than with affection and gratitude (Under: He died days before starting Casa Foa).

“Without a doubt, they called us for what we did together, not by individual virtue. So we face the project together,” Ramacciotti says about the idea of ​​building something that felt familiar. The result, in its definition: a currency with a daytime and a night face. Or two spaces for two different moments: Olivea and Clubcita.

Thus, from the darkness of the small tunnel With a single table for few and a bar behind (clubcita) you reach light and the surprise of discovering a Huge living room in double height with large windows and different options to stay (Olivea).

But that space also adds history: “Here was where students ate. Conceptually, we seemed very good to build this place as a club of friends, designed for the reunion, ”they explain. A place where old memories bring with them a sense of warmth and community.

Olivea, the diurnal sector of the cafeteria (Space No. 31).Olivea, the diurnal sector of the cafeteria (Space No. 31).

Each element of the space was carefully selected to evoke an emotional connection. From a vibrant carpet to the paintings of Carolina Rogé In Clubcita or the Totem with a phrase that honors Deltorere an Oliveea.

Playroom rojo

María Ramos and Eder Villareal They also make their debut in Córdoba although they are not Cordoba. “We design a space that seeks to connect adults with their inner child. We want them to feel stimulated and connected with their creativity,” explains Ramos, a native of Spain with residence in Buenos Aires, about the Playroom of the Space No. 5.

The playroom bets red and biofily.The playroom bets red and biofily.

The choice of redwhich symbolizes passion and energy, plays a role fundamental. “We have designed three main nodes: creativity, imagination and interconnection, all wrapped in a natural environment,” he adds in reference to the biofilia. “The plants are real, have been arranged in an innovative way, down and use a special gel that will keep them alive the entire sample without irrigation,” adds Villareal.

Mudroom in the house

Cayetano Llovell Curiaof CLC Interiorhe debuted with his Hall y Mudroom in it Space No. 25. “I chose this place because I wanted to enhance the beauty of the windows and the architecture of the house. I wanted it to have a functional but also aesthetic component,” describes the architect and adds that he wanted to reinterpret the concept of Mudroom.

Hall and Mudroom: a small space of the old house.Hall and Mudroom: a small space of the old house.

Account that made a Very careful restoration In the old heritage house, recovering original stained glass windows and moldings. “I love the mixture of the traditional and the contemporary. I wanted my space to reflect my style.”

Interactive installation

The architects Rocío Piñero Castellanos and Antonella Faucher Scataglini They thought more than a Artistic installation For him Space No. 26. His work for “Active Pause” proposes a place to stop, reflect and connect with emotions. Also recovering the memory of what was the place, they propose to play in magnetized walls, write phrases on a wall that evokes a board and also draw.

Active pause. Artistic installation with winks to the Argüello Academy.Active pause. Artistic installation with winks to the Argüello Academy.

“We want that Leave your mark In this space where art is shared, everyone contributes, ”they emphasize and emphasize that they expect the visit to Casa Foa to become a significant memory for those who manage to make that pause.

A visual shelter

Paula Ocaña reversed the Winter Garden in it Space No. 29. The architect, which is presented for the third time in the sample, remarks that this garden focuses on permanence and connection with the environment. “We want to return life to a forgotten space,” he explains.

The intervention combines elements of the original architecture of the house, such as the restored white walls, with a mirror furniture which assumes the prominence of space next to a Great armchair color grapes What a husband with the parra.

The winter garden reveals a forgotten space.The winter garden reveals a forgotten space.

He Glass floor reinforces the concept of transparency and luminosity. Agustín Sorriceproject builder, highlights the inclusion of glass tile and polycarbonate that allow to maintain the connection with the outside.

The “Winter Garden” not only offers a Visual refugebut also appeals to the senses: with native flowers and olfactory elements that enrich the experience. “We want people to feel comfortable, both in solitude and in company,” Ocaña concludes with Son.Project manager of space.

In different ways, these spaces pay tribute to history and connect their proposals with “Heritage and evolution”, The motto chosen on this occasion.

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