There is also a wheat field that represents three “Antulian aspects”, according to the author: “Argentina, blessed land of bread; San Cajetan, the saint of Providence so venerated by Antula, whose ears of wheat were added by the union of Catholic workers in the midst of the economic crisis of the year 1930; and the fruit of the Spiritual Exercises, because upon the death of Mama Antula thousands and thousands of people had performed the exercises, renewing their life of faith.”
The consecrated woman’s habit is painted with a mixture of the pigment called ivory black, with a lapis lazuli blue, which gives it a bluish-black effect, while the reverse of the mantle is a bluish tone.
It is the first icon that presents her as a saint and not as Blessed Mama Antula, since it was specially prepared for her canonization.